city
the city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings
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the city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings
teppan-yaki-ya are usually associated with flashy upmarket slightly tacky pepper-mill twirling wisecracking steak chefs in london and new york epitomised by ‘benihana’. this place was a bit
21_21 is a new design museum near roppongi, and tokyo ‘midtown’ new development. the building is designed to be dramatic whilst not overwhelming the surrounding park-scape.
not the most glamourous part of tokyo, with a reputation for sleaze and bad taste, it nevertheless boasts one of tokyo’s biggest railway stations, two of
inside the ancient caldera of aso san, in kyushu, southern japan. extremely fortunate weather on this november day. full of sparkle and light.
pictures taken around the tokyo edo museum at ryogoku designed by architect kiyonori kikutake. it is an extraordinary building, erected at the height of the japanese